Turnstile

S&S Presents

Turnstile

Touché Amoré, Culture Abuse, Razorbumps

Sunday, April 15, 2018

6:30 pm

In the Venue

$18 ADV / $20 DOS

Turnstile
Turnstile
From the release of their 2010 demo to their 2011 Pressure to Succeed EP, Turnstile have walked a path all their own. A path that has quickly brought them a rabid following based off of their groove driven melodic energies and insane live shows. Having shared the stage with bands like Bane, Trapped Under Ice, Title Fight, Backtrack, and many more, Turnstile have continued to travel and grow. As many attendees to these events can attest, Turnstile is a group that when they play live, no one can sit still. The spirit of Turnstile's music is constantly creating converts by their vital and overpowering live shows.

The Reaper Records release of the Step 2 Rhythm EP in early 2013 drew from NYHC influences such as Madball and Breakdown, but also delivered a new alternative sound that only added more fuel to this growing fire – now, they're ready to pour on the gasoline. The release of Turnstile's first full-length record Nonstop Feeling is going to give fans so much more than they're anticipating and draw in a whole new wave of maniacs to the Turnstile tribe.

The record was recorded in Baltimore with Brian McTernan (Circa Survive, Hot Water Music, Thrice) at Salad Days studio. Having a personal and musical history with McTernan, they came together to make a record that sounded bigger and louder than anything previous. The bright color scheme represents the idea of raw, unbridled expression, positive or negative, that is delivered in each of the twelve tracks. From the signature artwork to the energy infused tunes, this record creates a vibrant slam of emotion that defines Turnstile more than ever as a band leading their own way.
Touché Amoré
Touché Amoré
Los Angeles artful indie post hardcore band Touché Amoré have announced a new album, Stage Four, to be released September 16 on Epitaph.
Formed in Burbank, California, across 2007 and 2008, the band’s urgent sound, with its melodic sonic assault and impassioned vocals, has grown tighter and more refined through a trio of full-length albums and a series of EP’s and releases. Since those early days, lead singer Jeremy Bolm, guitarists Nick Steinhardt and Clayton Stevens, bassist Tyler Kirby, and drummer Elliot Babin have created a trajectory for themselves through hard work and dedication. And now with Stage Four, their fourth and biggest album to date, they are cementing their status as one of rock music’s most talented, relatable, and visceral acts. Over the years the band rose to prominence with 2009’s …To the Beat of a Dead Horse and 2011’s Parting the Sea Between Brightness and Me. Touché Amoré crossed into new territory with the 2013 art-punk masterpiece Is Survived By. Having earned early cred, critical favor, and legions of fans by playing lengthy tours of all shapes and sizes—in every basement, youth center, and house show—the band enjoyed a bigger following which only grew along with their talents.
“I don’t open up to people too much in regular life, but when I’m writing songs, I want to be as open and as honest as possible,” Bolm confesses. Touché albums have always served as an emotional outlet for Bolm. So when the time came to write Stage Four there was no question that it would be about passing of Bolm’s mother in late 2014. Stage Four was recorded in early 2016 in Studio City, CA with producer Brad Wood. Cathartic in delivery, highly sentimental, and sonically triumphant, Stage Four is an emblem of a band both living its dream and marred by loss. And with Stage Four, Touché Amoré has unmistakably made the biggest, boldest, and most artistic statement of their career.
Culture Abuse
Culture Abuse
Culture Abuse dare you to try categorizing them. On their debut full length, "Peach," the San Francisco Bay Area band drop hints with every song — power pop melodies collide with punk grit, garage rock swagger meets hardcore aggression, and there's even an upstroke or two — but never give the listener enough to definitively put them in a box. And that’s just the way they like it.

Recorded with Scott Goodrich at Nu-Tone Studios, "Peach" is an eclectic album that represents a band finding their sound, and that sound is anything they want it to be. The album sees the band lean full tilt into the Nuggets-inspired garage punk only hinted at on their more hostile early work, throwing keyboards and even the occasional string arrangement on top of their distorted attack. The result creates a barrage of outsider earworms that might be hard to label, but aren’t hard to sing along to instantly. This refreshingly try-anything approach to songwriting makes for an unpredictable listen that is somehow simultaneously cohesive, a testament to Culture Abuse’s ability to wrestle disparate styles into something all their own.

Culture Abuse don’t care what kind of band you think they are, and after listening to "Peach," you’ll be too busy singing along to care either.
Venue Information:
In the Venue
219 South 600 West
Salt Lake City, UT, 84101
http://www.inthevenueslc.com/